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Spring 2022
Grad Studio I
Secrets Are No Fun... 
Many Separate Parts
          Infinite Thoughts
          Feel What You Feel
Fragments of Life
The Ramp
          Holographic Music
Butterflies
Unlocking the Space Between
          Web of Grey’s Anatomy

Fall 2021
Senior Studio
Fluid Design 
Uncriticized
Direct Shot
Reflection
Out of Bounds
Motion Graphics
Stein’s Sprinkles 
1 Word: Explode
ASMR
Transient Light
Basketball

Spring 2021
Grad Studio I
Analog < 2020 < Digital
Liminality of the Elevator
Burn(ing)(ed)
Drop the Ball
Shawshank
Junior Type
Lollapalooza
Soft Serve
Strawberry Music Festival
i’m lovin’ it
Curtain

Fall 2020
Senior Studio 
27-1024
Design Nomads
GenZillennial
Protest: Impact & Empathy
A Typographical Metaphor
Motion Graphics
Dystopia
Home
A Piano
Tender Buttons
A Red Hat

Spring 2020
Grad Studio I
Sound of color
Re-Memory
Fenway Typography
COVID-19 Crisis
Limbo
Motion Graphics
Zoom
Breakslow
Layers: Tender Buttons
Neolithic Age
Poetry in LA

Fall 2019
Senior Studio
Brand Matrix
Brand New Worlds
Experimental Typography
The Persistence of Posters
Beasts of No Nation
Interactive Design
Time Will Heal
Sounds of Sunday
Water Waste
10-eye
See it All

Spring 2019
Senior Thesis
Evolution of Words
Dirty Water
The Body is The Bind
Nostalgia 
Primordial Soup

Fall 2018
Grad Studio I
Motion
Unmoved Mover
Rx Bag
Organic Color
Peer Biography

Spring 2018
Senior Thesis
The Waiting Room
The Proprium Method
Tragedy and Growth
Odalisque Now
Favors As Currency

Fall 2017
Grad Studio II
Humor
XB16
Index 17
Meanings
Layered Narratives


Mark



Student Name: Olivia Williams, Kabita Das
Project Title: Beasts of No Nation
Project Description:
We chose a film which neither of us had seen before, hoping that fresh eyes and lack of biases would help us interpret the film in a unique way. A war drama, Beasts of No Nation (2015) presents a perspective and experience far removed from our own. Set in an unspecified African country, the story follows Agu: a child whose life is ruined by civil war. The beginning scenes show the normalcy of Agu’s daily life in his village: bargaining with a local soldier, teasing his macho older brother, climbing trees, singing and dancing in church services, enjoying a meal with his family. Suddenly, the war devastates Agu’s life: his mother and younger sister are forced to flee the village and he witnesses the murder of his father, brother, and grandfather. Over the course of the film, Agu’s experience as a child soldier and his loss of innocence dominate the rest of the narrative.
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Mark
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