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	<title>Prof. Grady</title>
	<link>https://profgrady.com</link>
	<description>Prof. Grady</description>
	<pubDate>Tue, 21 Jul 2026 04:14:30 +0000</pubDate>
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		<title>Philosophy</title>
				
		<link>https://profgrady.com/Philosophy</link>

		<pubDate>Fri, 03 Sep 2021 20:29:52 +0000</pubDate>

		<dc:creator>Prof. Grady</dc:creator>

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📺&#38;nbsp; Video by Bob Pascarella &#124; Edited by Dan Pinnolis

&#60;img width="1827" height="189" width_o="1827" height_o="189" data-src="https://freight.cargo.site/t/original/i/9715031f362322b63e943679eb03531c5b266948d9274f7e88cb53d50fd47e88/Design-Ed-talks-podcast2.png" data-mid="244228472" border="0"  src="https://freight.cargo.site/w/1000/i/9715031f362322b63e943679eb03531c5b266948d9274f7e88cb53d50fd47e88/Design-Ed-talks-podcast2.png" /&#62;&#38;nbsp;🎙️&#38;nbsp;Podcast: Design Education Talks&#38;nbsp;↗︎
&#38;nbsp;
PhilosophyMy teaching philosophy centers on three core principles: Audience, Context, and Craft. These principles form the foundation of my approach as an educator, shaping how I prepare students for the evolving demands of the design field. By fostering curiosity, fearlessness, multimodal exploration, collaboration, prolific experimentation, and an iterative mindset, I aim to cultivate designers who are adaptable, thoughtful, and prepared to shape the future.


Core Principles:
Audience: Design is about understanding who you’re designing for and the purpose of&#38;nbsp;the product. This ensures the design resonates and achieves its goal.Context: Design exists within a specific medium or platform, whether print, screen, or&#38;nbsp;immersive experience. This context shapes how the message is received.&#38;nbsp;Craft: Design requires obsessive attention to detail, precision, and a commitment to&#38;nbsp;high-quality execution.


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Expectations for My Students
I hold my students to a set of guiding expectations that encourage deep engagement with their work:
Be Curious: Explore both content and form with wonder and inquiry. Curiosity fuels discovery and leads to unexpected insights.
Be Fearless: Embrace tools and technology without hesitation. Whether learning new software or experimenting with unconventional techniques, stepping outside one’s comfort zone drives growth.
Be Multimodal: Design today isn’t confined to one medium. Students should feel comfortable moving fluidly between print, digital, and immersive formats, integrating these seamlessly into their practice.
Be Collaborative: Foster empathy and constructive critique. Learning from peers, offering meaningful feedback, and working as part of a team are essential skills in a collaborative world.
Be Prolific: Produce boldly and often. Experimentation sparks innovation, but always consider the audience’s perspective during the process.
Reflect &#38;amp; Refine: Continuous iteration and improvement lie at the heart of successful design. Embracing feedback and refining ideas is a hallmark of a skilled designer.

Design as a Future-Focused Discipline
My teaching philosophy embraces the ever-changing landscape of design, preparing students for dynamic roles as interdisciplinary creators in society. While my experiences inform my perspective, I focus on guiding students in imagining and building their future within the field.

Inspiration surrounds us, often hidden in plain sight. Overlooked moments, mundane details, or personal experiences can serve as catalysts for profound creativity. I encourage students to observe their immediate environments closely, mining them for formal and conceptual insights. This practice strengthens their critical thinking and problem-solving skills while also fostering a habit of recognizing design opportunities everywhere.

Balancing the Technical and the Conceptual
In today’s world of design, integrating multiple media is non-negotiable. My goal is to ensure students gain proficiency in technical skills and contemporary tools, while grounding this knowledge in the historical and theoretical contexts of graphic design and typography. Dynamic media, in particular, is a dominant force in the field, and I encourage students to approach it with both technical competence and conceptual depth.

However, technical mastery is just part of the equation. My ultimate aim is to help students discover their unique creative voices. By exposing them to diverse disciplines and systems of output, I encourage them to challenge traditional boundaries and explore innovative ideas. This freedom to experiment helps them grow into designers confident in their individuality and capable of contributing original perspectives to collaborative projects.

Collaboration and Critique
Collaboration is central to graphic design, which is more of a shared experience today than ever before. I emphasize the importance of working with others—not just in execution but in idea generation and critique. Learning how to give and receive constructive feedback is a vital skill that students can carry into any professional or personal setting.

Critique plays a key role in my teaching. I encourage students to embrace feedback as an opportunity to refine and elevate their work. The process of reflection and iteration is something designers must engage with throughout their careers, and I aim to instill this mindset early.

Teaching as a Reciprocal Experience

Teaching is not a one-way street. I value the opportunity to learn from my students, whose fresh perspectives and fearless creativity inspire me to stay curious and adaptable. Watching them grow as designers and problem-solvers—and ultimately apply their skills in the world—is one of the most rewarding parts of my work.

My philosophy focuses on preparing students for the future by exploring new directions in design pedagogy that extend beyond traditional frameworks. By fostering an environment of exploration, experimentation, and collaboration, I aim to equip students with the tools and mindset needed to navigate the ever-evolving design landscape. Whether they go on to create groundbreaking visual systems, address societal challenges through design, or lead in emerging industries, I want my students to approach their roles with confidence, curiosity, and a deep understanding of their power to make a meaningful impact.

With this philosophy as my guide, I hope to inspire students to embrace the exciting possibilities and challenges ahead, ensuring they are not only participants but leaders in shaping what is to come.View James’ CV ↗︎


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		<title>Research - Overview</title>
				
		<link>https://profgrady.com/Research-Overview</link>

		<pubDate>Tue, 17 Sep 2024 19:29:32 +0000</pubDate>

		<dc:creator>Prof. Grady</dc:creator>

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		<description>

	
	&#60;img width="1500" height="479" width_o="1500" height_o="479" data-src="https://freight.cargo.site/t/original/i/20c7082aa7ce614705974c7dd746d58c05951ce15f4f30f69c58b447eca5599a/Research-diagram-004.jpg" data-mid="237208420" border="0"  src="https://freight.cargo.site/w/1000/i/20c7082aa7ce614705974c7dd746d58c05951ce15f4f30f69c58b447eca5599a/Research-diagram-004.jpg" /&#62;

Convergent Design Research

I am a designer, educator, and researcher whose work bridges professional practice, immersive experiences, digital innovation, and teaching. Through my consultancy, Design Axl, I have partnered with leading organizations across the country—from Bain Capital Ventures in San Francisco and Dell Technologies Capital in Palo Alto to Alexandria Real Estate Equities in Pasadena and NextView Ventures in New York. This work has been nationally recognized, including multiple Graphic Design USA awards, a Graphis Packaging 11 Silver Award for packaging design excellence, and the Fast Company World Changing Ideas Award for North America for Polyplexus, a platform funded by the Defense Advanced Research Projects Agency (DARPA) in Arlington, Virginia, designed to advance scientific collaboration.

My research extends beyond traditional design outputs into immersive projects such as Random Actor, which expands access to interactive media for artists, curators, and educators. At Boston University, I guide students in the Spark! Innovation Fellowship, where they tackle real-world challenges at the intersection of design, technology, and entrepreneurship. Whether with Fortune 500 companies, startups, or students, my focus is always on using design to connect people, tell stories, and create meaningful change.

📽️ &#38;nbsp;TALK (52:55): TSU — A Design Spectrum ↗︎


📺 &#38;nbsp;TALK (7:28): CAA — From Studio to Classroom ↗︎


🎙️ &#38;nbsp;PODCAST (25:22): Design Education Talks w/Lefteris Heretakis ↗︎🎥 &#38;nbsp;TALK (24:08): FAU — Interdisciplinary Design Research ↗︎


SEE RESEARCH AREAS BELOW ⇣
	
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		<title>Research - Design Axl</title>
				
		<link>https://profgrady.com/Research-Design-Axl</link>

		<pubDate>Tue, 17 Sep 2024 20:31:39 +0000</pubDate>

		<dc:creator>Prof. Grady</dc:creator>

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		<description>
	1. Professional Practice: Design Axl
Through my consultancy, Design Axl, I partner with organizations that influence global markets and drive innovation across finance, technology, real estate, and venture capital. My work spans the country, with clients including Bain Capital Ventures in San Francisco, Dell Technologies Capital in Palo Alto, Alexandria Real Estate Equities in Pasadena, Companyon Ventures in Boston, Jump Capital in Chicago, and NextView Ventures in New York. These collaborations—ranging from multi-billion-dollar companies to early-stage startups—share a common thread: using design to clarify identity, communicate vision, and support innovation.

This work has been nationally recognized with multiple Graphic Design USA awards, including honors for the NextView Ventures and Jump Capital websites in 2024 and the Bubble Works™ can design in 2025, celebrated for its bold visual identity and standout shelf presence. Together, these projects reflect both the quality of the design solutions and their broader impact on industries shaping the future of innovation.🧰 VISIT: axl.design ↗︎
SEE SELECT CLIENTS BELOW ⇣
	
	


	
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	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/ed7d11a91753a3d2b6e3f29ea8e7df20f8e14cf66504bbb172b323f9faea2b10/design-axl-nv.png" data-mid="218216451" border="0"  src="https://freight.cargo.site/w/1000/i/ed7d11a91753a3d2b6e3f29ea8e7df20f8e14cf66504bbb172b323f9faea2b10/design-axl-nv.png" /&#62;
	NextView Ventures


Service: Web Experience
Industry: Financial

	&#60;img width="1921" height="1080" width_o="1921" height_o="1080" data-src="https://freight.cargo.site/t/original/i/e4d077dc4cfca14ea6a8f484768faa91a637ccf694d24510f3e8a851060dc065/design-axl-mt.png" data-mid="218217453" border="0"  src="https://freight.cargo.site/w/1000/i/e4d077dc4cfca14ea6a8f484768faa91a637ccf694d24510f3e8a851060dc065/design-axl-mt.png" /&#62;
	MathTalk


Service: Digital PlatformIndustry: Education

	&#60;img width="1921" height="1080" width_o="1921" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2681e14dba3cfac414cd200c35e0f98b79a2cff752941f5dfab08405a8beb8a4/design-axl-cai.png" data-mid="218217450" border="0"  src="https://freight.cargo.site/w/1000/i/2681e14dba3cfac414cd200c35e0f98b79a2cff752941f5dfab08405a8beb8a4/design-axl-cai.png" /&#62;
	Contextual AI


Service: Brand IdentityIndustry: Technology
	&#60;img width="1921" height="1080" width_o="1921" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c47988668789e268b2e4bb0a17afc0951840ddf16e487e80280d697eede82b92/design-axl-gc.png" data-mid="218217451" border="0"  src="https://freight.cargo.site/w/1000/i/c47988668789e268b2e4bb0a17afc0951840ddf16e487e80280d697eede82b92/design-axl-gc.png" /&#62;
	Grid City Beer Works


Service: Brand IdentityIndustry: Food/Beverage

	&#60;img width="1921" height="1080" width_o="1921" height_o="1080" data-src="https://freight.cargo.site/t/original/i/cb5cfe5982693e0ac5384c21d1fec21842a64a8dc05394eca00d22f5c9f0f8d3/design-axl-phai-002.png" data-mid="218217604" border="0"  src="https://freight.cargo.site/w/1000/i/cb5cfe5982693e0ac5384c21d1fec21842a64a8dc05394eca00d22f5c9f0f8d3/design-axl-phai-002.png" /&#62;
	
	PHAI


Service: Digital PlatformIndustry: Healthcare
	&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/f7e3eace21c43d524fe40faea55569500f83d115d790ca790bef717afeaa4cf2/design-axl-polyplexus.png" data-mid="218693030" border="0"  src="https://freight.cargo.site/w/1000/i/f7e3eace21c43d524fe40faea55569500f83d115d790ca790bef717afeaa4cf2/design-axl-polyplexus.png" /&#62;
	Polyplexus


Service: Digital PlatformIndustry: Science








  
  
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		<title>Research - RA</title>
				
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		<pubDate>Thu, 30 May 2024 00:50:39 +0000</pubDate>

		<dc:creator>Prof. Grady</dc:creator>

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	2. Immersive Experiences: Random Actor

My research extends beyond traditional graphic design outputs to explore how immersive spaces and interactive technologies can transform storytelling and human experience. One of my most significant projects, Random Actor, is an interdisciplinary project initiated by Clay Hopper and me at Boston University that enables users to create interactive and dynamic media without requiring technical expertise. The project began with early explorations, prototypes, and proofs of concept that helped define its goals, creative parameters, and potential use cases. After multiple attempts that did not generate the functional system we were looking for, Paolo Scoppola designed and developed the first functional Random Actor software system from scratch in openFrameworks during his 2022 artist-in-residence at Boston University.

By integrating projection mapping, computational vision, and generative systems into an intuitive interface, Random Actor opens new creative possibilities and makes immersive design accessible to artists, curators, educators, and performers. The project has already been used in theaters and performance spaces, but its potential extends far beyond that into museums, classrooms, and public art installations. This work reflects my broader commitment to bridging technology and human expression, expanding the reach of design as a medium for connection, learning, and engagement.&#38;nbsp;
VISIT: random-actor.com&#38;nbsp;↗︎

	





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		<title>Research - Spark!</title>
				
		<link>https://profgrady.com/Research-Spark</link>

		<pubDate>Tue, 17 Sep 2024 22:16:49 +0000</pubDate>

		<dc:creator>Prof. Grady</dc:creator>

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	3. Digital Product Innovation: BU Spark!&#38;nbsp;

At Boston University, I co-created the Spark! Technology Innovation Fellowship with Ziba Cranmer as part of the Cross-College Challenge (XCC) and the BU Hub. This program has become one of the university’s premier offerings in interdisciplinary innovation. Students design and build digital products from end to end—conducting user research, creating user experiences and interfaces, and delivering fully developed and deployed solutions. Unlike speculative classroom exercises, these projects are fully functional, created in collaboration with real partners, and launched into use. This emphasis on complete, working systems prepares students for the realities of professional practice at the highest level.

The fellowship is distinguished not only by its interdisciplinary nature—bringing together students from design, computer science, business, and engineering—but also by its deep connections to industry. Spark! has been supported by mentors from leading organizations such as Facebook, Google, Red Hat, and Microsoft, who provide expert guidance and connect students to professional standards and practices. My role is to help students navigate this process, guiding them to iterate, refine, and adapt while keeping their focus on the people who will use their solutions and the impact those solutions will have. Watching students launch innovative, fully realized projects through Spark! demonstrates the powerful role design plays as a catalyst for entrepreneurship, collaboration, and meaningful change.


🤖&#38;nbsp;VISIT: BU Spark! ↗︎
	

  </description>
		
	</item>
		
		
	<item>
		<title>Research - MFA</title>
				
		<link>https://profgrady.com/Research-MFA</link>

		<pubDate>Sat, 30 Oct 2021 13:06:59 +0000</pubDate>

		<dc:creator>Prof. Grady</dc:creator>

		<guid isPermaLink="true">https://profgrady.com/Research-MFA</guid>

		<description>
	4. Pedagogical Process: MFA Thesis
My approach to teaching is rooted in exploration and experimentation, shaped by my MFA studies at the Rhode Island School of Design. In my courses, I encourage students to move beyond obvious solutions and to approach problems from fresh perspectives. The emphasis is not only on producing strong visual outcomes but also on understanding the purpose of design and its potential to address real-world challenges.

I continue to reference my MFA thesis as a north star for project prompts and student guidance. The thesis provides a foundation rooted in process and inquiry, while remaining flexible and adaptive in an evolving world of design—a flexibility that I view as its greatest strength. This approach allows me to help students develop confidence in experimentation, technical skill in execution, and awareness of how their work connects to larger contexts. Teaching, for me, is about creating space for new ideas to flourish while preparing students to lead in the future of design.📕&#38;nbsp;View Book PDF ↗︎
📙 Purchase Book ↗︎
SEE BOOK CHAPTERS BELOW ⇣
	



	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/d09e1db08884951f89042e8867e5ad2e1aa5ee201bbc8ff1b8249e16c17f33e6/img_4267-01.jpg" data-mid="123107223" border="0"  src="https://freight.cargo.site/w/825/i/d09e1db08884951f89042e8867e5ad2e1aa5ee201bbc8ff1b8249e16c17f33e6/img_4267-01.jpg" /&#62;
	0.0 &#124; Abstract



Shift, in concept and method, is a view on empirically based graphic design. Inviting constant shifts of perspective-from one place, position...

	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/ca8692e7db7567283ea23ee6fb5b7f32ab5fd3b64ff0c19a48e5e493b0dc0232/img_4267.jpeg" data-mid="123107222" border="0"  src="https://freight.cargo.site/w/825/i/ca8692e7db7567283ea23ee6fb5b7f32ab5fd3b64ff0c19a48e5e493b0dc0232/img_4267.jpeg" /&#62;
	0.1 – 0.2&#38;nbsp;&#124; Point of View

When I was fourteen, my family went on a trip to Kona, Hawaii, and I brought my first video camera with me, a Sony HI8 HandyCam; I was rarely...

	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/9dad9b141180cb16114b4a97864e98cbdd1bf3285271827ebfb0e6ad684013a2/process-01.jpg" data-mid="123107220" border="0"  src="https://freight.cargo.site/w/825/i/9dad9b141180cb16114b4a97864e98cbdd1bf3285271827ebfb0e6ad684013a2/process-01.jpg" /&#62;
	0.3 – 0.5&#38;nbsp;&#124; MethodologyBefore coming to graduate school, I spent eleven years working at a graphic design/brand strategy firm. We used qualitative and quantitative process models...
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/14ea89d538fff3f9b59c1c9f1bcfd484908ffb0fcec2613454a276c12810c709/fullcircle-01.jpg" data-mid="123107224" border="0"  src="https://freight.cargo.site/w/825/i/14ea89d538fff3f9b59c1c9f1bcfd484908ffb0fcec2613454a276c12810c709/fullcircle-01.jpg" /&#62;
	0.6  &#124; Full CircleOn August 3, 2011, my daughter Joy was born. Seeing her develop an awareness of her environment, while I am simultaneously developing my thesis...

	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/68ee69cd33d25bc323bba9543cd6c4900d0eae3785979de78fb875f5dead2642/inter2-01.jpg" data-mid="123107221" border="0"  src="https://freight.cargo.site/w/825/i/68ee69cd33d25bc323bba9543cd6c4900d0eae3785979de78fb875f5dead2642/inter2-01.jpg" /&#62;
	
	0.7  &#124; Interview with Vaughan OliverVaughan Oliver is an award-winning, legendary graphic designer, artist and author of several books, including...
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/58724056a93d65be5deaa60d23556c6a1ac95f63b11120d9d576cdd4721ce4e6/img_4267-01-copy.jpg" data-mid="123108111" border="0"  src="https://freight.cargo.site/w/825/i/58724056a93d65be5deaa60d23556c6a1ac95f63b11120d9d576cdd4721ce4e6/img_4267-01-copy.jpg" /&#62;
	1.0–1.1  &#124; Input: Accumulate InspirationComing back to school after eleven years in the professional field was daunting and uncomfortable...


	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/f3220654571b83368d3ea641ddc8136c34aac68debcbc05f675435045cfc0d7d/aajpg.jpg" data-mid="123108345" border="0"  src="https://freight.cargo.site/w/825/i/f3220654571b83368d3ea641ddc8136c34aac68debcbc05f675435045cfc0d7d/aajpg.jpg" /&#62;
	
	1.2–1.3 &#124; Ephemera CollectionAny one of the ninety-five previous objects could be a piece of trash or a spark of inspiration. Each object has the ability to be examined, studied...
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/d6adbcb221ab1e5d94947111ae6f006b355c26bc6bce7e85cd21928c4878b1e2/3jpg.jpg" data-mid="123108692" border="0"  src="https://freight.cargo.site/w/825/i/d6adbcb221ab1e5d94947111ae6f006b355c26bc6bce7e85cd21928c4878b1e2/3jpg.jpg" /&#62;
	1.4–1.5  &#124; Form + Content = Graphic DesignEphemera Collection is just a small sampling of everyday objects that inspire me; initially, they inspire me in a...

	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/08a5bc9932f87fe3f999f7fa2b613979eda83d0a4a44bd31f8e33016e0dd830c/4.jpg" data-mid="123108778" border="0"  src="https://freight.cargo.site/w/825/i/08a5bc9932f87fe3f999f7fa2b613979eda83d0a4a44bd31f8e33016e0dd830c/4.jpg" /&#62;
	
	1.6–1.7 &#124; Wabi-SabiWabi-Sabi can be called a comprehensive aesthetic system. The more systematic and clearly defined the components of an aesthetic system are, the...
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/84dc9a889811268a60860746f45b5784ca7b810c56586f1303722087c5ccdd9d/5.jpg" data-mid="123108938" border="0"  src="https://freight.cargo.site/w/825/i/84dc9a889811268a60860746f45b5784ca7b810c56586f1303722087c5ccdd9d/5.jpg" /&#62;
	1.8 &#124; Tools of CaptureBeyond accumulating physical objects and written words in my database, I am also passionately accumulating still and moving images. I use a range of...

	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/26251dc9ef4c44aca2cefa46f7f3d0fc7c54db85a0f75c9fa74e2c5791c27e04/6.jpg" data-mid="123109177" border="0"  src="https://freight.cargo.site/w/825/i/26251dc9ef4c44aca2cefa46f7f3d0fc7c54db85a0f75c9fa74e2c5791c27e04/6.jpg" /&#62;
	
	1.9 &#124; Interview with Daniel PaluskaDan Paluska is an artist, engineer and educator who works with kinetic, robotic, and cultural systems…
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/6a6cf6e33047233ca0fc4f1e78e4d699d799a3285a8b63add529ca34ef34811f/7.jpg" data-mid="123109233" border="0"  src="https://freight.cargo.site/w/825/i/6a6cf6e33047233ca0fc4f1e78e4d699d799a3285a8b63add529ca34ef34811f/7.jpg" /&#62;
	2.0–2.2 &#124; Output: Transform AwarenessThere is a gap that drives awareness in my work. It’s the phase in my process where I transform my awareness…


	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/16b1d5e63dba161b679b767a4653ef5dd6cb948a4c946db4730c19a514436cd3/8.jpg" data-mid="123109417" border="0"  src="https://freight.cargo.site/w/825/i/16b1d5e63dba161b679b767a4653ef5dd6cb948a4c946db4730c19a514436cd3/8.jpg" /&#62;
	
	2.3 &#124; CommuteSpark Sometimes the most obvious spark of inspiration is in front of our eyes. Commute was the first studio project I worked on in the Fall, 2010... 
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/2604cec40cb684b1789371f49197fa0af44114cfb7fe6cd36b6a6385a1d63ac2/9.jpg" data-mid="123109629" border="0"  src="https://freight.cargo.site/w/825/i/2604cec40cb684b1789371f49197fa0af44114cfb7fe6cd36b6a6385a1d63ac2/9.jpg" /&#62;
	2.4 &#124; Color-aid Cut-upIndeterminacy Color-aid Cut-up, is a stop-motion video that uses Color-aid paper, an excerpt of Gertrude Stein’s avant-garde poem, Tender Buttons and....

	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/e9092aaa69ff74c9595a02f8935ffb0b0bae8c4c7aa9bfbc38414a264fdd1a59/10.jpg" data-mid="123109696" border="0"  src="https://freight.cargo.site/w/825/i/e9092aaa69ff74c9595a02f8935ffb0b0bae8c4c7aa9bfbc38414a264fdd1a59/10.jpg" /&#62;
	
	2.5 &#124; fail sailUncovering an Archive fail sail begins with an investigation in the Lownes Science Collection within the John Hay Library at Brown…
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/41bfd795055bb81a47a1b2bde9e541f0482628bcdfdd981a4bbca1690eab61cd/11.jpg" data-mid="123198473" border="0"  src="https://freight.cargo.site/w/825/i/41bfd795055bb81a47a1b2bde9e541f0482628bcdfdd981a4bbca1690eab61cd/11.jpg" /&#62;
	2.6 &#124; Twenty-Four Hour TouristHeterotopia In an essay by novelist Alan Lightman, he describes one of Einstein’s dreams as “a place where time stands still: the place where...


	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/7917d24c79eda7c92b6efc0cb16cc6c59f942334b60542baa596532c7d771c27/12.jpg" data-mid="123198608" border="0"  src="https://freight.cargo.site/w/825/i/7917d24c79eda7c92b6efc0cb16cc6c59f942334b60542baa596532c7d771c27/12.jpg" /&#62;
	
	2.7 &#124; Everyday Observations: LightEmbrace Limitations With access to the camera on my iPhone in my pocket at all times, I’m able to collect a visual archive of my…
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/2e95284231645d07c445cbb87b37b41c845cc4f61996a5cf5bbb9cbdd63a3d78/13.jpg" data-mid="123198786" border="0"  src="https://freight.cargo.site/w/825/i/2e95284231645d07c445cbb87b37b41c845cc4f61996a5cf5bbb9cbdd63a3d78/13.jpg" /&#62;
	2.8 &#124; 13/13You don’t have to have the final solution, and that shouldn’t stop you from accumulating inspiration or ways of seeing. — Vaughan Oliver Liminality 13/13 is an...

	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/bb4e80ca091147d553818b12977d435e48c1be34aca5425db46d61d03f3686ca/14.jpg" data-mid="123198988" border="0"  src="https://freight.cargo.site/w/825/i/bb4e80ca091147d553818b12977d435e48c1be34aca5425db46d61d03f3686ca/14.jpg" /&#62;
	
	2.10 &#124;&#38;nbsp;BlinkThere can be as much value in the blink of an eye as in months of rational analysis. — Malcolm Gladwell Subconscious Intuition Every year during the first…
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/d95d8c4f532d9e33f7d2a249dadbd8319e90de8d665b2fb0335986feca517900/15.jpg" data-mid="123199386" border="0"  src="https://freight.cargo.site/w/825/i/d95d8c4f532d9e33f7d2a249dadbd8319e90de8d665b2fb0335986feca517900/15.jpg" /&#62;
	2.11 &#124; Incarceration VacationEnjoying the Ride Michel de Certeau’s The Practice of Everyday Life explores the everyday operating in society. He describes strategies an...


	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/ddf355ff958285f0012b629ad20a3e6e1eb560b518acba106700f63ef65956f6/16.jpg" data-mid="123199667" border="0"  src="https://freight.cargo.site/w/825/i/ddf355ff958285f0012b629ad20a3e6e1eb560b518acba106700f63ef65956f6/16.jpg" /&#62;
	
	2.12 &#124; Burroughs Time-LapseProcess of Observation In my interview with Daniel Paluska, he said, “…time-lapse makes me think about the pace of life and how I interact with the…
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/5206bca18ba8963e96a16a3d4902d859a5da49164334b0947ce666845b56e02b/17.jpg" data-mid="123200087" border="0"  src="https://freight.cargo.site/w/825/i/5206bca18ba8963e96a16a3d4902d859a5da49164334b0947ce666845b56e02b/17.jpg" /&#62;
	2.13 &#124; Vertov Time-LapseDziga Vertov’s 1929 film, Man With a Movie Camera, is a brave attempt at visual epistemology, to reinterpret the often banal and seemingly insignificant...

	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/891925d95468855a7343d497bfc338321664c9ce4f0d2c43431d3367925e3b81/18.jpg" data-mid="123200225" border="0"  src="https://freight.cargo.site/w/825/i/891925d95468855a7343d497bfc338321664c9ce4f0d2c43431d3367925e3b81/18.jpg" /&#62;
	
	2.14 &#124; HITE ScreenMake something which cannot ‘perform’ without the assistance of its environment. Make something which the ‘spectator’ handles, with which he…
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/e810011d7fa9cab3bf0663f7c0bf054d66b86d1f7b1f225e6de8b43bc492a46c/19.jpg" data-mid="123200335" border="0"  src="https://freight.cargo.site/w/825/i/e810011d7fa9cab3bf0663f7c0bf054d66b86d1f7b1f225e6de8b43bc492a46c/19.jpg" /&#62;
	2.15 &#124; Panopticon of JoyFalse Security In Discipline and Punish, philosopher Michel Foucault builds on philosopher Jeremy Bentham’s conceptualization of...


	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/3aac9d793fb1dde259623c73bf6f49492542e882765833c55c80ab84f6cb99b3/20.jpg" data-mid="123200710" border="0"  src="https://freight.cargo.site/w/825/i/3aac9d793fb1dde259623c73bf6f49492542e882765833c55c80ab84f6cb99b3/20.jpg" /&#62;
	
	2.16 &#124; Interview (excerpt) 
with Ben FryBen Fry is principal of Fathom Information Design, a design and software consultancy located in Boston. He received his…
	&#60;img width="825" height="495" width_o="825" height_o="495" data-src="https://freight.cargo.site/t/original/i/41a5fd538f631ff46962f11a288184b07f1a4fd0a293d85d70cdf4e0c2ce6eec/21.jpg" data-mid="123200861" border="0"  src="https://freight.cargo.site/w/825/i/41a5fd538f631ff46962f11a288184b07f1a4fd0a293d85d70cdf4e0c2ce6eec/21.jpg" /&#62;
	3.0 &#124; Next StopFor two years, I’ve commuted to Grad school from Boston to Providence by rail. The initially redundant trip has become a peaceful…



  
    
      
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	<item>
		<title>Resources</title>
				
		<link>https://profgrady.com/Resources</link>

		<pubDate>Tue, 21 Jul 2026 04:14:30 +0000</pubDate>

		<dc:creator>Prof. Grady</dc:creator>

		<guid isPermaLink="true">https://profgrady.com/Resources</guid>

		<description>
  
    Resources 🛠️
    Welcome to the Resources page! Here, you'll find curated tools and insights to support your growth as a designer. From Job Resources to jumpstart your career to Typography, Motion Graphics, and UI/UX Resources for technical exploration, these materials are here to guide and inspire. If you have suggestions for additional resources, feel free to send me an email.&#38;nbsp;↗︎
  



  Job Resources



  

  
    
      
        Design Studios
        Design Axl
        FUNKHAUS
        SOSO Limited
        Proportion
        Isometric
        Solidarity of Unbridled Labour
        IDEO
        Trivium Interactive
        Opus
        kor group
        Fathom
        Response Agency
        Assembly Design Studio
        Upstatment
        Grafton Studio
        goinvo
        Stoltze
        NEOSCAPE
        Cintri Media
        WDB Agency
        Tank Design
        Moth
        HATCH Design
        Sprout Studio

        Portfolio and Interview Preparation
        AIGA Career Resources
        ADPList
        Cofolios
        Bestfolios
        Case Study Club
      

      
        Companies
        Converse
        Puma
        Nike
        Amazon
        Vistaprint
        HubSpot
        AthenaHealth
        IBM
        Red Hat
        Deloitte
        Walmart
        Google
        Salesforce
        Dropbox
        KPMG
        Microsoft
        VMware
        Meta/Facebook
        Wayfair
        Citizens Bank
        Fidelity Investments
        CBRE
        Bank of America

        Design-Specific Job Boards
        AIGA Design Jobs
        It’s Nice That Jobs/If You Could
        Design Observer Jobs
        Dribbble Jobs
        Behance Jobs
        Coroflot
        Creative Lives in Progress
      

      
        Students Resources
        BU Center for Career Development

        International Students Resources
        BU ISSO
        USCIS
        Visa Sponsorship Info

        Networking/Search
        LinkedIn
        Handshake
        Glassdoor
        Indeed
        Monster
        Ziprecruiter
        CareerBuilder

        Talent Agencies
        Robert Half
        Creative Circle
        Dice
        The Mom Project
        Michael Page
        Eliasson
      
    
  

  
  
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  Typography Resources



  

  
    
      
        Type Foundries
        OH No Type Co
        Occupant Fonts
        Frere-Jones Type
        Typotheque
        Grilli Type
        Colophon Foundry
        OR Type
        Morisawa
        Monotype
        Lineto
        House Industries
        Berthold
        Typography.com
        P22 Type Foundry
        Typofonderie
        Swiss Typefaces
        Emigre
        Blackletra
        Font Bureau
        Klim Type Foundry
        Luzi Type
        ABC Dinamo
        Commercial Type
        Type Network
        Future Fonts
        Production Type

        Dalton Maag
        Sharp Type
        Displaay
        Pangram Pangram
        Velvetyne
        Blaze Type
        XYZ Type

        Typelab
        TypeTogether
        Rosetta
        205TF
      

      
        Typography Learning
        Google Fonts Knowledge
        Practical Typography

        Type Designers
        Matthew Carter
        Muriel Cooper
        Cyrus Highsmith
        Jessica Hische

        Typography Communities
        TypeThursday
        Typographica
        TypeDrawers
        I Love Typography
        Alphabettes
        Fonts In Use
        TypeCulture
        Letterform Archive
        Typographic Posters
        The Type Directors Club
 FONTS BY WOMXN
        Fontshop
      

      
        Free &#38;amp; Open-Source Type
        Google Fonts
        The League of Moveable Type
        Velvetyne
        Open Foundry
        Collletttivo
        Fontshare
        Use &#38;amp; Modify

        Type Tools
        Glyphs
        RoboFont
        FontLab
        FontForge

Percent (Student Project)
        Glyphr Studio

        Dinamo Font Gauntlet

        Wakamai Fondue
        Fontjoy
        Type Scale
        Fontpair
      
    
  

  
  
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  Motion Graphic Resources



  

  
    
      
        Studios/Designers
        Art of the Title
        Imaginary Forces
        DIA studio
        Space Type Studio
        Talia Cotton
        Beatriz Lozano
        Bullpen
        Coat of Arms
        Scholar
        Pagano Media
        Hero4Hire
        Kasra Design

        Learning/Getting Started
        Type in motion 001
        3D layer, lighting &#38;amp; camera
        Stylization and textures
        Cinema 4D + After Effects
        Expressions
        Adobe After Effects Tutorials
        School of Motion
        Motion Design School
        EC Abrams
        Animoplex
      

      
        Plugins
        Lottie
        Red Giant
        Mister Horse
        Motion Tools
        Mercury
        EaseCopy
        Motion 4
        Overlord
        AEUX
        Newton 3
        Flow
        Auto Crop
      

      
        Tools and Software
        Cavalry
        Adobe After Effects
        Figma Motion
        Rive
        Blender
        TouchDesigner
        Procreate Dreams
        Jitter
        Principle
        ProtoPie
      
    
  

  
  
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  UI/UX Resources



  

  
    
      
        Prototyping and Website Tools
        Figma
        Sketch
        Framer
        Cargo Sites
        Webflow
        Readymag
        Spline
        ProtoPie
        Rive

        Inspiration
        Awwwards—Site of the day
        Site Inspire
        Httpster
        Hoverstate.es
        OMGLord
        Creative Boom
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        Godly
        Laws of UX
        Smashing Newsletter
      

      
        Design Systems
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        Material Design
        Compass Design system
        Spotify
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        Courses/Classes
        BU Spark!
        Figma Resources
        General Assembly
        Wix Playground
        Google Coursera
      

      
        Creative Coding/Generative Design
        p5.js
        ml5.js
        Three.js
        Google Mediapipe
        Processing
        OpenProcessing
        The Coding Train
        Codepen
        ShaderToy
 
        TouchDesigner
        openFrameworks
        Teachable Machine

        AI &#38;amp; Emerging Tools
        Adobe Firefly
        Runway
        Midjourney
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        Claude
        Figma AI Resources
        Lovable
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</description>
		
	</item>
		
		
	<item>
		<title>News</title>
				
		<link>https://profgrady.com/News</link>

		<pubDate>Mon, 18 Nov 2024 19:31:47 +0000</pubDate>

		<dc:creator>Prof. Grady</dc:creator>

		<guid isPermaLink="true">https://profgrady.com/News</guid>

		<description>
	Latest News &#38;amp; Updates 💫&#38;nbsp;This page features selected awards, invited talks, interviews, press, and research highlights reflecting my work at the intersection of design, technology, education, and interdisciplinary practice. For a full list of achievements, including comprehensive project details, publications, and talks, please explore my CV.&#38;nbsp;↗︎






	Interviews &#38;amp; Press



	


2026 Promotion to Associate Professor of Art, Graphic Design 
Boston University College of Fine ArtsBoston, MAMay 2026
CFA’s play ‘Dream’ uses generative AI to reimagine Shakespeare’s ‘A Midsummer Night’s Dream’
Article by Rayan Khan, The Daily Free Press
October 29, 2025Innovative CFA Play Puts Generative AI to the Shakespeare Test
Article by Alene Bouranova and Cydney Scott, BU TodayOctober 23, 2025Design in Motion: James Grady on Creative Process and Emerging Technologies

Interview by Lefteris Heretakis, Design Education TalksJanuary 25, 2026James Grady: Designing Across the Spectrum. Curiosity, Computation, and the Future of Graphic Design Education

Interview by Lefteris Heretakis, The New Art School / Design Education TalksJanuary 26, 2026BU Institute for Excellence in Teaching &#38;amp; Learning: Integrating AI into Teaching &#38;amp; Learning

Interview by BU InstituteMarch 21, 2025
	BU Hub: Cross-College Challenge (XCC) Faculty Feature

Interview by Bob Pascarella, Creative Director, Fenway GroupJuly 18, 2023
















What
Makes Graphic Design Professor James Grady Excited about Teaching at BU
Interview by Mark Krone, Assistant Director of Graduate AffairsOctober 5, 2021Dare
to Inspire: Sustain the Fire of Inspiration in Work and LifeMention by Allison Holzer, Sandra Spataro, Jen Grace BaronNovember 12, 2019 (Page 128)

Netflix,
Spotify, and How Data is Shaping the ArtsInterview by Art Jahnke, BU TodayMarch 7, 2019


















Meet James Grady of Design
Axl
Interview by Meryll Galino, BostonVoyager&#38;nbsp;
September 11, 2018
2018 BFA Thesis Exhibition:
A Reflection of 42 Individual JourneysFeature by Sara Frazier, BU TodayMay 9, 2018


	



	Awards



	

2025 Graphis Silver Award 
Bubble Works, Packaging 11




2025 Graphic Design USA Package Design Award 

Bubble Works, Can Design
2025 Graphic Design USA Design Award 

Companyon Ventures, Website Design2025 Graphic Design USA Design Award 

Design Axl Annual Letterpress Postcard Series, Self Promotion2025 Graphis Silver Award 

Bubble Works Craft Hard Seltzer, Packaging 11


2024 Graphic Design USA Design Award&#38;nbsp;

NextView, Website + UX/UI Design



	
2024 Graphic Design USA Design Award 
Jump Capital, Website + UX/UI Design
2024 Graphic Design USA Design Award

Design Axl 2024 Postcard, Sales Promotion + Self Promotion

	2024 Marquis Who’s Who in America 
James J Grady, Selected for Inclusion

2021 Fast Company—World Changing Ideas Award 
Polyplexus, Digital Platform

	2017 Fast Company—World Changing Ideas Award&#38;nbsp;
Poverty Tracker, Digital Platform

	2015 Fast Company—Innovation By Design Award&#38;nbsp;
No Ceilings, Digital Platform
Invited Addresses

	2026 AIGA Design Educators Community Throughlines Panel
Sinclair Community CollegeDayton, OHJuly 27-28, 2026
Guest Lecture, VizTech 2

Northeastern UniversityBoston, MAApril 15, 2026


Roundtable Host, Interdisciplinary Discussion with Professor Elizabeth Hunter

Boston University College of Fine Arts
Boston, MAApril 2, 2026



Guest Lecture, MFA Interaction Design 


Texas State University, School of Art and Design San Marcos, TXMarch 12, 2026




Lecture, A Moving Target: The Intersection of Communication Design, Technology, and Education

CAA 114th Annual ConferenceChicago, ILFebruary 18-21, 2026






	Guest Speaker, FA100: The CFA Experience: Doing, Making, KnowingBoston University, College of Fine Arts
Boston University, Boston, MAOctober 16, 2025Participant and Moderator, Lights, Camera, Algorithm! AI's Role in the Ethics and Identities of Korean Hallyu and French Media
Boston University, College of Communication, Emerging Media Studies
Boston University, Boston, MAOctober 8–9, 2025Lecture, A Visual Volley Between AI and Handcrafted DesignA Symposium on Generative AI at BU in Academics and Administration (AIDA)
Boston University, Boston, MAFebruary 25, 2025



	Lecture,
Random Actor: A Design Tool that Connects Computation and Human Performance 
a2ru 2024 National Conference: “Generate &#124;
Integrate: Technology, the Arts and Design”Rochester Institute
of Technology (RIT), Rochester, NYNovember 16, 2024Lecture, Design + PerformanceDesign Incubation Colloquium 11.1: Boston University
Boston University, Boston, MAOctober 25, 2024

Lecture, Cultivating Creativity Through the Crossroads of Interdisciplinary Design 
Florida Atlantic University (FAU) Department of Visual Arts and Art History Fall 2024 Lecture Series


Florida Atlantic University, Boca Raton, FLOctober 23, 2024

















Moderator,
Creativity and Innovation in the Classroom



 



Center for Teaching &#38;amp; Learning (CTL)

Boston University, Boston, MA

March 19, 2024Guest Speaker, Future of Work 



Sandwich Middle High School, Sandwich, MA
















March
4, 2024





Lecture, Exploring Generative AI Tools, AI Info Session 6


Boston University Digital Learning &#38;amp; InnovationBoston University, Boston, MAFebruary 1, 2024
Lecture and Workshop, Wireframing 101 



AR 593 Design Lab
Boston University, Boston, MAOctober 23, 2023






  
    
      
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	</item>
		
		
	<item>
		<title>Percent</title>
				
		<link>https://profgrady.com/Percent</link>

		<pubDate>Tue, 07 Jul 2026 13:58:21 +0000</pubDate>

		<dc:creator>Prof. Grady</dc:creator>

		<guid isPermaLink="true">https://profgrady.com/Percent</guid>

		<description>
&#60;img width="2904" height="1980" width_o="2904" height_o="1980" data-src="https://freight.cargo.site/t/original/i/d8845546f9080fc428b5609c5ecb1a7d2e539e46ece021939ecb5232d56a6954/fine-tunining_editor-page.gif" data-mid="250180670" border="0"  src="https://freight.cargo.site/w/1000/i/d8845546f9080fc428b5609c5ecb1a7d2e539e46ece021939ecb5232d56a6954/fine-tunining_editor-page.gif" /&#62;

Student Names:Alara Kalfazade, Margarita Gomez-Puche,
Melih Yilmaz,
Yue Zhou

Project Title:Percent
	Project Description:Percent is a web-based, interactive type design tool that reimagines how letterforms are created, manipulated, and understood. Instead of relying on complex vector tools and technical workflows, it uses a system of circles, guidelines, and responsive controls to make typography more approachable, interactive, and exploratory.
Developed as part of Spark!’s Technology Innovation Fellowship course at Boston University (Spring 2026), the project evolved over nine sprints — from early research and concept development to a functional prototype and public demo.

READ Alara’s FULL BLOG POST&#38;nbsp;VISIT PROJECT WEBSITE 




&#60;img width="2904" height="1980" width_o="2904" height_o="1980" data-src="https://freight.cargo.site/t/original/i/e32cdbcc22b8e69e85ccea367c08263e272534a17b4c551f8e14eab2e3d1b1bb/system-page.gif" data-mid="250180671" border="0"  src="https://freight.cargo.site/w/1000/i/e32cdbcc22b8e69e85ccea367c08263e272534a17b4c551f8e14eab2e3d1b1bb/system-page.gif" /&#62;
&#60;img width="7336" height="4303" width_o="7336" height_o="4303" data-src="https://freight.cargo.site/t/original/i/292c66f4239a7f8aa547adf963c2aeabfc5856a2cb3a2e8dda1604d50494e763/percent-5.png" data-mid="250180672" border="0"  src="https://freight.cargo.site/w/1000/i/292c66f4239a7f8aa547adf963c2aeabfc5856a2cb3a2e8dda1604d50494e763/percent-5.png" /&#62;
&#60;img width="7336" height="4303" width_o="7336" height_o="4303" data-src="https://freight.cargo.site/t/original/i/a3ced35e2572dddbdb877f9afeb9a420e17b56389cc32a5a8ab3115caf801383/Portfolio-2026_SOM.png" data-mid="250180673" border="0"  src="https://freight.cargo.site/w/1000/i/a3ced35e2572dddbdb877f9afeb9a420e17b56389cc32a5a8ab3115caf801383/Portfolio-2026_SOM.png" /&#62;
&#60;img width="786" height="1048" width_o="786" height_o="1048" data-src="https://freight.cargo.site/t/original/i/2aaa647ad94c3e1621b80bb9347d1eb99d146d6dc264ef835389417a26fa9971/1_oHjaBGJ2K3twxaJMVw2dUw.png" data-mid="250180694" border="0"  src="https://freight.cargo.site/w/786/i/2aaa647ad94c3e1621b80bb9347d1eb99d146d6dc264ef835389417a26fa9971/1_oHjaBGJ2K3twxaJMVw2dUw.png" /&#62;
&#60;img width="1800" height="1200" width_o="1800" height_o="1200" data-src="https://freight.cargo.site/t/original/i/56747c0bc05c8f8144ca97411163c9713d7bdce03f83538619ac6e706c1f7dbe/2J3A6234.jpg" data-mid="250180674" border="0"  src="https://freight.cargo.site/w/1000/i/56747c0bc05c8f8144ca97411163c9713d7bdce03f83538619ac6e706c1f7dbe/2J3A6234.jpg" /&#62;
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	</item>
		
		
	<item>
		<title>Blink&#38;Blink</title>
				
		<link>https://profgrady.com/Blink-Blink</link>

		<pubDate>Mon, 06 Jul 2026 20:19:54 +0000</pubDate>

		<dc:creator>Prof. Grady</dc:creator>

		<guid isPermaLink="true">https://profgrady.com/Blink-Blink</guid>

		<description>
&#60;img width="2000" height="1493" width_o="2000" height_o="1493" data-src="https://freight.cargo.site/t/original/i/c98d9a4c4c8a2ea6af78828eb8e876a1b6304eb93f8f5cbead71faca5da6074e/1_qnZ3hZ-BGs-wbCOwqrSZzQ.gif" data-mid="250166724" border="0"  src="https://freight.cargo.site/w/1000/i/c98d9a4c4c8a2ea6af78828eb8e876a1b6304eb93f8f5cbead71faca5da6074e/1_qnZ3hZ-BGs-wbCOwqrSZzQ.gif" /&#62;

Student Names:Margarita Gomez-Puche

Project Title:Blink&#38;amp;Blink
	Project Description:Blink&#38;amp;Blink is a self-reflective book that approaches AI through resistance, storytelling, and protest. Rather than using AI as a primary creative tool, the project positions it as an outsider, offering only selective prompts about family history, loneliness, separation, stress, and inherited repetition. Through a children’s-story format, ripped paper, folds, hidden text, and layered handmade imagery, the book uses concealment and revelation to explore how personal history can be protected, fragmented, and retold on the artist’s own terms.

READ Margarita’s FULL BLOG POST&#38;nbsp;


&#60;img width="1100" height="900" width_o="1100" height_o="900" data-src="https://freight.cargo.site/t/original/i/f5cd2124704bed5cbabacba5b342ab81acaa0a5d07bbe46e2aa57a9165dc43a3/1_AVFCSqhL_XqJapaa7vGDPg.png" data-mid="250166727" border="0"  src="https://freight.cargo.site/w/1000/i/f5cd2124704bed5cbabacba5b342ab81acaa0a5d07bbe46e2aa57a9165dc43a3/1_AVFCSqhL_XqJapaa7vGDPg.png" /&#62;
&#60;img width="622" height="1132" width_o="622" height_o="1132" data-src="https://freight.cargo.site/t/original/i/ff11559549833a31f9b598331f783d7824a87611a7e771cdb000737b18c539e9/1_cmdyaXT4b5ehtKrRXsluSg.png" data-mid="250166726" border="0"  src="https://freight.cargo.site/w/622/i/ff11559549833a31f9b598331f783d7824a87611a7e771cdb000737b18c539e9/1_cmdyaXT4b5ehtKrRXsluSg.png" /&#62;
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&#60;img width="4280" height="2995" width_o="4280" height_o="2995" data-src="https://freight.cargo.site/t/original/i/340066661f782f7b1e7b6742821aa7ef594328d6ff543f5083a75e80a47881e7/1_s2ePsNgkYwKT1Uo05Sa98A.gif" data-mid="250166722" border="0"  src="https://freight.cargo.site/w/1000/i/340066661f782f7b1e7b6742821aa7ef594328d6ff543f5083a75e80a47881e7/1_s2ePsNgkYwKT1Uo05Sa98A.gif" /&#62;
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